Photo by Mel Taing, courtesy of Boston Art Review.
Each summer and fall, Hong Hong (b. 1989, Hefei, Anhui, China) travels to faraway and distinct locations to make paper. The environmental, site-specific investigations map interstitial relationships between landscape, time, and the body through cartographic, symbolic, and material languages. During the winter and spring, she forms paintings directly on the floor of her studio. These schematics combine intergenerational story-telling, collaborative texts, and image-making to document states of interiority and subjectivity.
Hong is the recipient of a Tulsa Artist Fellowship (2024 - 2026), the Margie E. West Prize at University of Georgia (2024), a United States Artists Fellowship in Craft (2023), a Pollock-Krasner Foundation Grant in Painting (2023), a Carnegie Foundation Fellowship at MacDowell (2020), a Helen Frankenthaler Foundation Fellowship at Vermont Studio Center (2019), an Artistic Excellence Fellowship from the Connecticut Office of Arts (2019), and a Creation of New Work Grant from the Edward C. And Ann T. Roberts Foundation (2018 - 2019). She has also participated in residencies at McColl Center for Art + Innovation (2022), Houston Center for Contemporary Craft (2020 - 2021), Yaddo (2019), and I-Park (2018).
Hong’s projects have been presented in exhibitions at Real Art Ways (Hartford, CT), Crystal Bridges Museum of American Art (Bentonville, AR), Fitchburg Art Museum (Fitchburg, MA), Ortega Y Gasset Projects (New York, NY), Georgia Museum of Art (Athens, GA), Center for Maine Contemporary Art (Rockland, ME), NXTHVN (New Haven, CT), San Francisco Center for Book Arts (San Francisco, CA), Tiger Strikes Asteroid (Los Angeles, CA), Akron Art Museum (Akron, OH), Texas Asia Society (Houston, TX), and University of Texas at Dallas (Dallas, TX), among others. Her practice received press in publications such as Art21, Art New England, Southwest Contemporary, Hyperallergic, Public Parking, Two Coats of Paint, and Glasstire.
