Left: Composition for Holding the Whole, 156” x 192”, kozo, dust, pollen, sun, water, fiber-reactive dyes, 2018.    Right: Composition for a Comet's Tail, 180” x 156”, kozo, dust, pollen, sun, water, fiber-reactive dyes, repurposed paper, 2018.

Left: Composition for Holding the Whole, 156” x 192”, kozo, dust, pollen, sun, water, fiber-reactive dyes, 2018.

Right: Composition for a Comet's Tail, 180” x 156”, kozo, dust, pollen, sun, water, fiber-reactive dyes, repurposed paper, 2018.

 Left: Composition for the End of Daylight, 132” x 204”, kozo, dust, pollen, sun, water, fiber-reactive dyes, 2018.     Right: Composition for Two Lovers, 144” x 183”, kozo, dust, pollen, sun, water, fiber-reactive dyes, 2018.

Left: Composition for the End of Daylight, 132” x 204”, kozo, dust, pollen, sun, water, fiber-reactive dyes, 2018.

Right: Composition for Two Lovers, 144” x 183”, kozo, dust, pollen, sun, water, fiber-reactive dyes, 2018.

 Left: installation image of Composition for Holding the Whole.  Center: installation image of Composition for a Comet’s Tail.  Right: detail image of Composition for the End of Daylight.

Left: installation image of Composition for Holding the Whole.

Center: installation image of Composition for a Comet’s Tail.

Right: detail image of Composition for the End of Daylight.

 Right: Composition for a Comet's Tail, 180” x 156”, kozo, dust, pollen, sun, water, fiber-reactive dyes, 2018.   Left: Composition for the End of Daylight, 132” x 204”, kozo, dust, sun, water, pollen, fiber-reactive dyes, 2018.

Right: Composition for a Comet's Tail, 180” x 156”, kozo, dust, pollen, sun, water, fiber-reactive dyes, 2018.

Left: Composition for the End of Daylight, 132” x 204”, kozo, dust, sun, water, pollen, fiber-reactive dyes, 2018.

 Left: Composition for Nightfall, 168” x 144”, kozo, dust, pollen, sun, water, fiber-reactive dyes, 2018.     Center: Composition for Holding the Whole, 156” x 192”, kozo, dust, pollen, sun, water, fiber-reactive dyes, 2018.     Right: Composition for a Comet's Tail, 180” x 156”, kozo, dust, pollen, sun, water, fiber-reactive dyes, 2018.

Left: Composition for Nightfall, 168” x 144”, kozo, dust, pollen, sun, water, fiber-reactive dyes, 2018.

Center: Composition for Holding the Whole, 156” x 192”, kozo, dust, pollen, sun, water, fiber-reactive dyes, 2018.

Right: Composition for a Comet's Tail, 180” x 156”, kozo, dust, pollen, sun, water, fiber-reactive dyes, 2018.

 Left and Center: Installation images of Composition for Nightfall and Composition for Holding the Whole.     Right: detail image of Composition for a Comet’s Tail.

Left and Center: Installation images of Composition for Nightfall and Composition for Holding the Whole.

Right: detail image of Composition for a Comet’s Tail.

 Installation shot of “Dark Segment”, a solo exhibition featuring Hong’s monumental, site-responsive paperworks. “Dark Segment” is on view at Real Art Ways in Hartford, CT from October 18, 2018 to January 20, 2019.   All images by John Groo, courtesy of Real Art Ways.

Installation shot of “Dark Segment”, a solo exhibition featuring Hong’s monumental, site-responsive paperworks. “Dark Segment” is on view at Real Art Ways in Hartford, CT from October 18, 2018 to January 20, 2019.

All images by John Groo, courtesy of Real Art Ways.

 Left: Composition for Holding the Whole, 156” x 192”, kozo, dust, pollen, sun, water, fiber-reactive dyes, 2018.    Right: Composition for a Comet's Tail, 180” x 156”, kozo, dust, pollen, sun, water, fiber-reactive dyes, repurposed paper, 2018.
 Left: Composition for the End of Daylight, 132” x 204”, kozo, dust, pollen, sun, water, fiber-reactive dyes, 2018.     Right: Composition for Two Lovers, 144” x 183”, kozo, dust, pollen, sun, water, fiber-reactive dyes, 2018.
 Left: installation image of Composition for Holding the Whole.  Center: installation image of Composition for a Comet’s Tail.  Right: detail image of Composition for the End of Daylight.
 Right: Composition for a Comet's Tail, 180” x 156”, kozo, dust, pollen, sun, water, fiber-reactive dyes, 2018.   Left: Composition for the End of Daylight, 132” x 204”, kozo, dust, sun, water, pollen, fiber-reactive dyes, 2018.
 Left: Composition for Nightfall, 168” x 144”, kozo, dust, pollen, sun, water, fiber-reactive dyes, 2018.     Center: Composition for Holding the Whole, 156” x 192”, kozo, dust, pollen, sun, water, fiber-reactive dyes, 2018.     Right: Composition for a Comet's Tail, 180” x 156”, kozo, dust, pollen, sun, water, fiber-reactive dyes, 2018.
 Left and Center: Installation images of Composition for Nightfall and Composition for Holding the Whole.     Right: detail image of Composition for a Comet’s Tail.
 Installation shot of “Dark Segment”, a solo exhibition featuring Hong’s monumental, site-responsive paperworks. “Dark Segment” is on view at Real Art Ways in Hartford, CT from October 18, 2018 to January 20, 2019.   All images by John Groo, courtesy of Real Art Ways.

Left: Composition for Holding the Whole, 156” x 192”, kozo, dust, pollen, sun, water, fiber-reactive dyes, 2018.

Right: Composition for a Comet's Tail, 180” x 156”, kozo, dust, pollen, sun, water, fiber-reactive dyes, repurposed paper, 2018.

Left: Composition for the End of Daylight, 132” x 204”, kozo, dust, pollen, sun, water, fiber-reactive dyes, 2018.

Right: Composition for Two Lovers, 144” x 183”, kozo, dust, pollen, sun, water, fiber-reactive dyes, 2018.

Left: installation image of Composition for Holding the Whole.

Center: installation image of Composition for a Comet’s Tail.

Right: detail image of Composition for the End of Daylight.

Right: Composition for a Comet's Tail, 180” x 156”, kozo, dust, pollen, sun, water, fiber-reactive dyes, 2018.

Left: Composition for the End of Daylight, 132” x 204”, kozo, dust, sun, water, pollen, fiber-reactive dyes, 2018.

Left: Composition for Nightfall, 168” x 144”, kozo, dust, pollen, sun, water, fiber-reactive dyes, 2018.

Center: Composition for Holding the Whole, 156” x 192”, kozo, dust, pollen, sun, water, fiber-reactive dyes, 2018.

Right: Composition for a Comet's Tail, 180” x 156”, kozo, dust, pollen, sun, water, fiber-reactive dyes, 2018.

Left and Center: Installation images of Composition for Nightfall and Composition for Holding the Whole.

Right: detail image of Composition for a Comet’s Tail.

Installation shot of “Dark Segment”, a solo exhibition featuring Hong’s monumental, site-responsive paperworks. “Dark Segment” is on view at Real Art Ways in Hartford, CT from October 18, 2018 to January 20, 2019.

All images by John Groo, courtesy of Real Art Ways.

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